Just lie back and get sucked into the engine. You don’t get any beats this time, you wasted all your energy on track 1. Track 2, 0017AA is another six minutes of playful abstraction, on a bed of digital crickets and sputtering helicopter sonics. You won’t find any looped bars over 0017A’s 10 minutes but there’s plenty of next-gen drilling techno to hang on to - especially the bassline in the last 3 minutes that sounds like Laurent Garnier’s Crispy Bacon through a digital smithereen mincer. The insectoid hisses and squirts offer another semi-organic lifeline, but the rhythmic barrage is where it’s at really - think AFX, but that time he put sandpaper on the decks. A person who has taken up the power of a Shard is the Vessel of that Shard. 2 They are each named after a specific characteristic or ideal that represents the Shard's primary purpose or motivation. It’s a headfuck it’s a complete headfuck. The gameplay focuses more on action with a much more faster pacing than your MOBA game, with faster respawn times, no lanes and shorter matches. The Shards of Adonalsium, or Shards for short, are sixteen pieces of the power of creation. Perhaps the most telling scene in the documentary is where Yorke deconstructs their work in some kind of generic corporate backstage laminated chair area: Well, Jonny, last year we were the most hyped band, we were number 1 in all the polls and its bollocks, man, its bollocks. His new release on FLUF is described by the label as is “50% dreamy rhythmic barrage, 50% loving atonal shards”, but they left out a few percentage points for the banjaxed mechanical bird noises at the start of track 1, 0017A (All FLUF tracks are just given a catalogue number). Shards of War is a sci-fi themed MOBA game by BigPoint. The other six cuts are “private tracks” with a 00:00 run-time. It has since become one of the largest and most frequently updated sources of Tibian information on the internet, reaching more than 1,900,000 visits per month at its peak, with more than 450,000 being unique visitors (in 2010, ranking second among all. Track 1 is a kid humming the A-Team theme for a few seconds, and track 3, Connexio is a garbled, jarring edit of Elastica’s 90s indie hit Conection with the Ableton metronome as percussion, iPhone ringtones and Babylon Zoo’s Spaceman for a split second. TibiaWiki is a Wiki project which was started by Erig on November 22, 2004. The sense of nudge-wink antics carries through to the releases on his DIY cassette label Nyapster – one of his own releases is called Super Ultra Mega Rare Very Difficult Hard-to-find Record. The latest release on Danish label FLUF is another unwavering dispatch from the outskirts of electronic music, this time from PLOM, aka Barcelona-based producer Pau Magrané Figuera.Īctual bio details are sketchy enough, but PLOM’s website is a gloriously garish affair that looks like a broken link dead end from a 1997 Dreamweaver college project.
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